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couvrir de peinture - traducción al Inglés
ACADEMY THAT SOUGHT TO PROFESSIONALIZE THE ARTISTS WORKING FOR THE FRENCH COURT
Royal Academy of Painting and Sculpture; Académie Royale de Peinture et de Sculpture; Academie Royale de Peinture et de Sculpture; Academie de peinture et de sculpture; Academie royale de peinture et de sculpture; Académie royale de Peinture et de Sculpture; Académie Royale; Academie royale de Peinture et de Sculpture; Academie Royale; Académie royal de peinture et de sculpture; Académie royale de Paris; Académie royale de peinture; École royale des élèves protégés; Académie de Peinture et de Sculpture; Académie de peinture et de sculpture; Académie peinture et de sculpture; Académie de peinture; Académie peinture
![''[[The Embarkation for Cythera]]'', 1717, was [[Antoine Watteau]]'s [[reception piece]] for the Académie royale de peinture et de sxulpture.](https://commons.wikimedia.org/wiki/Special:FilePath/L'Embarquement pour Cythere, by Antoine Watteau, from C2RMF retouched.jpg?width=200 "''[[The Embarkation for Cythera]]'', 1717, was [[Antoine Watteau]]'s [[reception piece]] for the Académie royale de peinture et de sxulpture.")
couvrir de peinture
paint
Definición
de-
1.
De- is added to a verb in order to change the meaning of the verb to its opposite.
...becoming desensitized to the harmful consequences of violence.
...how to decontaminate industrial waste sites.
PREFIX
2.
De- is added to a noun in order to make it a verb referring to the removal of the thing described by the noun.
I've defrosted the freezer...
The fires are likely to permanently deforest the land.
PREFIX
Wikipedia
Académie royale de peinture et de sculpture
The Académie royale de peinture et de sculpture (French: [akademi ʁwajal də pɛ̃tyʁ e də skyltyʁ]; English: "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions.
